OPERA BIO
Frank Pitts is an American bass known for his distinctive, booming voice and consummate musicianship. On the heels of his outstanding success as Simone in Michigan Opera Theater’s 2020 double-bill production of Gianni Schicchi/Buoso’s Ghost, Opera News praised him stating “Frank Pitts’ big, resonant bass lent appropriate gravitas to cousin Simone and anchored the men’s ensemble…”
Most recently, Mr. Pitts performed to enthusiastic response and acclaim as bass soloist with the Fresno Master Chorale in Mozart’s Requiem. The Munro Review stated “My favorite soloists: Frank Pitts’ powerful bass presence boomed through the Shaghoian.” Mr. Pitts previously enjoyed a full and active 2018-2019 season. The predominant focuses were his performances as The Commendatore in Don Giovanni and Reverend Hale in The Crucible, all with the prestigious Berlin Opera Academy in Germany. In May 2019, Mr. Pitts performed as The Peach Checker in Ricky Ian Gordon’s The Grapes of Wrath under the baton of Michael Christie.
Having performed numerous times as featured solo artist with the Flint Symphony Orchestra, Mr. Pitts’ basso profundo was especially noteworthy in Ralph Vaughan Williams’ Serenade to Music with Teatro Colon’s Maestro Enrique Demieck. While participating in the renowned AIMS program in Graz, Austria, Mr. Pitts performed as bass soloist in Rossini’s Stabat Mater. Other favored oratorio works to his credit include the Verdi Requiem, Hayden’s Creation and Handel’s Messiah. Also of note was his outstanding appearance as bass soloist in the beloved Hanukkah Lights for the Flint Symphony Orchestra’s televised “ABC 12 Holiday Pops” in 2017.
Equally successful in both opera and musical theater, Mr. Pitts has performed roles ranging from Don Bartolo in The Barber of Seville and Pooh-Bah in The Mikado to Pulitzer in Newsies and Edna Turnblad in Hairspray. Also in demand for voice-over work, the bass has served in such capacity as God in Monty Python’s Spamalot, The Grinch in The Grinch Who Stole Christmas, Audrey in Little Shop of Horrors, and other deep bass-speaking roles in musical theater.
Also in demand for his excellence and versatility on the piano as well as his fine conducting ability, Frank Pitts predominantly resides in Flint, Michigan and studies voice with Nada Radakovich.
AUDIO / VIDEO
O Isis und Osiris / DIE ZAUBERFLOTE (W. A. Mozart)
Deep River (arranged by Moses Hogan)
La Calunnia / IL BARBIERE DI SIVIGLIA (Rossini)
O wie will ich Triumphieren / DIE ENTFUHRUNG AUS DEM SERAIL (W. A. Mozart)
Tuba Mirum/ REQUIEM (W. A. Mozart)
Benedictus / REQUIEM (W. A. Mozart)
Ricordare / REQUIEM (W. A. Mozart)
RESUME
OPERA / OPERETTA / MUSICAL THEATER | 2020 | |
Simone | Gianni Schicchi | Michigan Opera Theatre |
2019 | ||
Commendatore | Don Giovanni | Berlin Opera Academy |
Reverend John Hale | The Crucible | Berlin Opera Academy |
Peach Checker/Cop | The Grapes of Wrath | Michigan Opera Theatre |
Joseph Pulitzer | Newsies | Athens Theater Company |
2018 | ||
Chorus | Eugene Onegin | Michigan Opera Theatre |
2017 | ||
Edna Turnblad | Hairspray | Flint Schools Summer Theatre |
2016 |
Don Bartolo | The Barber of Seville | Ann Arbor Comic Opera |
Drunken Sailor | HMS Pinafore | Kearsley Park Players (Flint) |
2015 | ||
Pooh-Bah | The Mikado | Kearsley Park Players (Flint) |
Simone | Gianni Schicchi | Flint Institute of Music |
Edna Turnblad | Hairspray | Athens Theatre Company (Troy) |
2013 | ||
Audrey II | Little Shop of Horrors | University of Michigan-Flint |
Guard | La Boheme | Michigan Opera Theatre |
Antonio | Le Nozze di Figaro | Michigan Opera Theatre |
2012 | ||
Count Ceprano | Rigoletto | Michigan Opera Theatre |
Fifth Jew | Salome | Michigan Opera Theatre |
CONCERT/ORATORIO | ||
Bass Soloist | Requiem (Mozart) | Fresno Master Chorale / 2022 |
Pro Peccatis | Stabat Mater (Rossini) | AIMS Festival Orchestra / 2018 |
Serenade to Music | Ralph Vaughan Williams | Flint Symphony Orchestra / 2018 |
Bass Soloist | The Creation (Haydn) | Ward Presbyterian Church (Flint) / 2018 |
Guest Artist | Holiday Pops Concert | Flint Symphony Orchestra / 2017 |
Solo Recital | A Tribute to Jerome Hines | St. Paul’s Music Series (Flint) / 2017 |
Bass Soloist | Requiem (Mozart) | University of Michigan-Flint / 2010 |
Bass Soloist | Messiah (Handel) | FSO/Grand Blanc/Orchard Lake / Various |
Bass Soloist | Requiem (Faure) | International Symphony Sarnia, Canada / 2001 |
EDUCATION/TRAINING
Berlin Opera Academy | Opera Program Participant | Berlin, Germany / 2019 |
American Institute of Musical Studies | Opera Program Participant | Graz, Austria / 2018 |
Graduate Studies | Vocal Performance | Oakland University / 1999 |
Young Artist Program | Apprentice Artist | Michigan Opera Theatre / 1997-1998 |
Bachelor of Arts Degree | Music/Vocal Performance | Harding University / 1994 |
CAREER INFLUENCES
Conductors: Marzio Conti, Klaus Donath, Peter Leonard, Kevin Class
Voice Teachers: Nada Radakovich, Kevin Langan, Marc Embree, Gustavo Halley, Mark Sampson, Dominic Barberi, Mark Pinzow, Suzanne Acton
Master Classes: Linda Watson, Lorraine DiSimone, Richard Fracker, Peter Volpe
Special Skills: Professional Pianist, Music Director/Conductor